However, don't be too harsh on the developers - I only recently discovered that the ARP 2600's oscillators produce sawtooth waves at audio frequencies, but a misshapen ramp (that changes markedly when you start patching it to different destinations) in LF mode. ![]() Immaterial at audio frequencies, this makes a huge difference when using the oscillator as an LFO. Indeed, WOW seem unable to tell the difference between a sawtooth wave and a ramp wave. This is surprising, because the waveforms show marked visual differences on an oscilloscope. (This is in sharp contrast with Arturia's 2600V, which offers additional octave selectors, oscillator sync, and scaling controls for the keyboard CV inputs.) So how true to the original do TimewARP' s oscillators sound? LIning up my own ARP 26P keyboard alongside my Mac running TimewARP 2600, I started by comparing the the sawtooth waves, and was encouraged to find that the two instruments sounded very similar. Oscillators & Noise GeneratorĪs you would expect, TimewARP' s oscillator section is modelled on that of the original ARP 2600, the only differences being that VCO 1 and VCO 3 each have a sine-wave output. Installing and authorising the software is straightforward if you do it on a machine connected to the Internet, but WOW provide a couple of workarounds if you prefer to keep your studio computer solely for music use. ![]() This new instrument from Californian company Way Out Ware joins Arturia's 2600V in emulating ARP's 2600 semi-modular synthesizer. Can this second in-depth software emulation of the ARP 2600 improve on Arturia's existing 2600V?
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